![]() They are industrialists and entrepreneurs whose primary, and often only, motivation is money. ![]() Namely: that most, if not all, Bond villains are vessels of corporate greed. While more modern Bond entries have started to confront Bond’s personal sins, the persistent throughline that unites the series’ antagonists remains relatively unexamined. And his boyish charms are decidedly less menacing than the brooding superspy of Ian Fleming’s creation. Its lighthearted tone relishes Austin’s enjoyment of the company of women in ways that often exceed physical pleasure. But amidst all the amusing low hanging fruit, the trilogy actually manages to take some surprisingly weighty satirical swings. And look, sometimes you want, or even need, to watch something that requires precisely two brain cells. The Austin Powers films are (and we really can’t stress this enough) very very goofy. There’s no better example of this than Mike Myers’ take on 007: Austin Powers. The best parodies are the ones done with love, where the jabs are made with reverence and the pulls are deep enough to prove that those taking license with the original work have done their homework. ![]() Between the outlandish villains, innuendo-laden Bond girl names, and contrived plots, these cornerstones of spy cinema practically invite a good riffing. The James Bond films have always been ripe for parody. In this entry, they’re on a quest to identify every single James Bond reference in the Austin Powers trilogy. Martinis shaken and beluga caviar in hand, the Double Take duo are making their way through the Bond corpus. With twenty-four official James Bond films to conquer before No Time To Die hits theaters, Bond fan Anna Swanson and Bond newbie Meg Shields are diving deep on 007.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |